The audience attending Wednesday night’s performance of PlayMakers Repertory Company’s newest play, “Disgraced,” was asked this after the show. They then vocalized their feelings with words such as “despair,” “heavy,” “regret” and “drained,” among others.
Written by Ayad Akhtar, “Disgraced” focuses on Amir and Emily Kapoor, a married couple from New York City. Amir is a lawyer and hates his Islamic roots. Emily is an artist who is fascinated with Islamic art, which directly conflicts with her husband’s disdain for the religion in which he was raised.
The audience members were immersed in the story from the moment they walked in; the lights were already up on stage, and Amir and Emily were going about their lives.
Since the play’s opening night on Sept. 16, audiences and critics alike have responded positively to the show, which was nominated for a Tony Award and won a Pulitzer Prize. The innovative spin that PlayMakers has created has contributed to its success.
“I don’t like convention,” said director Shishir Kurup. “I never have. I like audiences coming into a space already in motion.”
He said he believes having the audience on three sides of the stage makes the show more inclusive, as opposed to a typical setup, where the audience is only in front.
“To me, it’s about getting an eavesdropping moment, because a play is a kind of eavesdropping moment overall,” he said.