Most bands populating Go! Rehearsal Studio's stage tend to fill the stage space completely, and Strunken White's young and physically small roster -- consisting of guitarists Nagendra Jayanty and Noah Howard, bassist John Booker and drummer Jonathan Stickley -- made the stage look spacious by comparison.
The stage looked even bigger considering the throng of spectators, which was packed into the main audience space, the balcony and even the staircase connecting the two and made a trip to the bar nearly impossible.
The band looked visibly surprised by the sold-out crowd.
"It's really incredible to play to this many people," Jayanty said. "We've been playing together for five years, and we've never played to a crowd this big before. It really means a lot for you to be here."
But once the band begins playing, the pint-sized rock outfit transforms into an experienced band that has played for five years in the Triangle area after the members met at a middle school in Durham.
"Strunken White has two LPs and one seven inch, and they still can't buy any beer," said a member of Sorry About Dresden, a visibly older Chapel Hill-based band that performed with Strunken White, during its own abbreviated set.
Saturday night was Strunken White's last show -- it formed before any of the members could drive and disbanded before any of them could drink legally. In between these milestones of 16th and 21st birthdays, the band developed a skill that both characterizes and stands out from the indie rock in the Chapel Hill scene.
Throughout its final set, the band -- considered often to exude "The Chapel Hill Sound" -- jumped between a range of dynamics and melodic shifts. It's an interesting rock-pop mix; the band rocks heavily but transitions to melodic guitar lines with a sense of grace that's often absent from most guitar-heavy indie rock bands.
In between the songs, the band members had little on-stage banter, preferring instead to thank everyone from fellow bands to their record label to their parents, who were congregating, as per usual, at the back of the performance space.