3 Stars
In the current stagnant waters of mediocre music, it can be said with great relief that there is absolutely nothing mediocre about World Famous in Chapel Hill.
More often than not the album is both excellent and original. But on the other hand, several tracks will have even the laziest of people leaping from the couch to skip past them.
While The Billy Dechand Band has an extensive discography under its belt, it still seems to be feeling its way around what styles it can and cannot do.
Somehow mixing the lilting folk sounds of Elliott Smith with the timing and style of Weezer, the better part of the album is one of the more exciting releases from a local band in a while.
Experimenting with elements that are both complex and beautiful, the band plays with close harmonies in the same vein as college-favored band Guster. It takes this kind of well-advised abandon and applies it to its instrumentation, with string arrangements, accordion, clarinet and even a didjeridu.
World Famous in Chapel Hill's best tracks have a meter that sways, using a simple beat pattern that is currently making bands like Travis famous. Its worst tracks seem like piecemeal blends of music that most of us spent the early '90s attempting to forget.