Following Duke’s refusal of Ackland’s bequest and nine years of litigation, the museum — and Ackland’s entombed body — went to UNC.
“To have the person who made it all happen, here, is really cool,” said Emily Bowles, director of communications for the museum.
Bowles said while one might think younger visitors to the Ackland would find the presence of a dead body disturbing, the truth is just the opposite.
“Kids love that he’s here,” she said. “It emphasizes to them that it’s this guy who made this happen.”
Though Duke passed on the chance at Ackland’s collection, the university received its own art museum, now the Nasher Museum of Art, in 1969.
A member of the Nasher’s curatorial staff could not be reached for comment on Duke’s connection to the Ackland.
Wendy Livingston, manager of marketing and communications for the Nasher, said the Ackland and the Nasher maintain a good relationship.
“Whatever its history, we’re just glad that the Ackland exists,” she said. “They’re a wonderful collaborator.”
Some exhibits on which the two museums have partnered include last fall’s “Big Shots: Andy Warhol Polaroids” and 2010’s “Color Balance: Paintings by Felrath Hines.”
“Having another high-caliber art museum in the area helps to make a vibrant art scene in the Triangle,” Livingston said.
She also said that two art museums in such close proximity provide variety as well as ensure one another’s quality.
“You don’t want just one art museum as a choice— you want several collaborating,” Livingston said. “We keep each other on our toes.”
Though the Ackland’s presence at UNC isn’t a secret, Bowles said that Ackland himself may still be unaware of the move.
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She said she makes this clear when she gives museum tours.
“I always tell visitors to the museum, ‘Don’t talk too loudly around him, because he thinks he’s at Duke.’”
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