In the 1970s, Carol Cole Levin made a list of artists who inspired her.
From that list, she began her contemporary art collection.
Levin — the wife of 1948 UNC alumnus Seymour Levin — loaned three contemporary pieces to the Ackland Art Museum for its latest exhibition, “Carolina Collects.”
Though Seymour Levin is the alumnus of the pair, Carol Levin is the primary collector.
“I am an artist and a collector, and I am serious about both,” she said.
Before she began painting, Levin owned a computer software business. She sold the business in the 1980s to pursue art full time.
She said the artwork in her collections inspires her every day, especially when creating artwork of her own.
And even though many of the pieces she collects — including Marcel Duchamp’s 1947 piece “Please Touch,” Lynda Benglis’ 1993 piece “Tu-Lip Grotto” and Sam Durant’s 2006 piece “Female Indian (Nude),” which are on loan to the Ackland — are renowned pieces that could sell for high prices, Levin said she doesn’t pay attention to market value.
“As an artist, I see work differently than a collector or an art historian — I have an understanding of the process,” she said. “I have respect for artists who are willing to take risks and be vulnerable.”