Staff writer Tyler Confoy talked to vocalist Charly Lowry about Dark Water Rising’s roots, sound and beginnings.
DIVERSIONS: The cover art for Dark Water Rising shows you and your five band mates almost submerged in a body of water. Is there any connection between this photo and the band name?
CHARLY LOWRY: A lot of people think it’s Photoshopped, but it’s not. It was taken on the Lumber River. That’s in Pembroke. That’s our hometown or kind of our base where the majority of the members is from. The members of the Lumbee tribe are also referred to as the people of the dark water.
That’s where we take the “dark water” part of our name from. We wanted to base it around the river. It’s a very central part to our tribe because of how resourceful it is. Our tribe pretty much lives along that river.
If you look at the demographics, you’ll see that our county and the surrounding counties, which is where the majority of the tribe lives, are along that river. We just added the Rising. But it took us a little while to come up with the Rising part.
DIVE: You seem to have really strong ties to your Native American background. Do you try to reflect the culture in your music?
CL: You can hear some of the influence, but we don’t want to be categorized as a Native American band and pigeonholed to a lot of the places that a lot of Native Americans play, like casinos. We just happen to be Native Americans who play music instead of trying to fit into a Native American genre.
The influence is in some of the songs, like “Brownskin” for example. Brittany, who’s in the band, is another vocalist and percussionist. She and I — when we were students in undergrad at UNC — wrote “Brownskin.” We had the young girls from our tribe in mind, and then it just branched out to girls in general. It kept the name “Brownskin.” It just talks about young girls and how we don’t have to fit into the pressures of society to act a certain way and think a certain way.