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Ackland’s ‘Chords of Memory’ depicts America’s past through lithographs

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The Ackland Art Museum's new exhibit "Chords of Memory: Lithographs by Thomas Hart Benton" opened on Friday, March 9th. Emily Bowles, the Director of Communications at the Ackland, talks about the history and meaning of the prints on the exhibit's opening day.

The Ackland Art Museum has unveiled an exhibition of Thomas Hart Benton lithographs that will introduce viewers to the vivid scenes and lively characters of America’s past — if they can find the gallery.

“Chords of Memory” features expressive prints that depict scenes and memories from Benton’s travels throughout the South and Midwest during the Great Depression.

His careful attention to detail and deft use of angles and shading capture the rustic simplicity of the time.

The Ackland has displayed the 10 lithographs that make up the exhibition in a single gallery, tucked in a back corner of the museum.

The show’s hidden placement in the museum and its Spring Break opening date make it seem as if the exhibition is meant to be overlooked.

But it shouldn’t be.

The prints emphasize the importance of music and memory in America’s heartland.

Benton incorporates a music motif into his lithographs with literal depictions of musicians.

A father teaches his daughter to play guitar in “The Music Lesson,” and Missouri musicians strum their instruments in the countryside in “Coming ‘Round the Mountain” — both expressive examples of how music forges bonds across generations and backgrounds.

Benton also renders the music motif in his prints with symbolic actualizations of lyrics.

“Wreck of the Ol’ 97” is a visual dramatization of an old, famous ballad about a locomotive that was wrecked in Virginia in 1903.

The terrified expressions of Benton’s characters transform a well-known historical event and song by heightening the intensity of the crash.

The bold blacks and stark whites interspersed with shades of gray create power in Benton’s prints.

Such contrast accentuates motion, drawing the viewer’s eye to still and important moments, a harmonious clash of the chaotic and the calm.

The lithographic medium of the exhibition echoes the times of the Depression that Benton depicts.

The black and white etchings-turned-prints are unassuming and accessible, yet the stories and scenes depicted are engaging and moving.

Benton incorporates a wide range of subjects — from childhood memories in rural Missouri, to literary and folkloric allusions to characters like Huckleberry Finn and Jesse James.

Each lithograph has a personal allure, ensuring that viewers of this exhibition will be swept away in the musical chords and captivating memories of America’s rustic past.

His lithographs take the viewer down the Mississippi River, into the lives of hardworking farmers and through small and colorful towns.

Though the exhibition hides in a back corner of the Ackland, it is well worth the search to discover Benton’s vibrant collection of memories.

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