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Ackland show to feature Indian political art

	Sahmat, a collective of artists, have been promoting their ideals of egalitarianism through works of art.

Sahmat, a collective of artists, have been promoting their ideals of egalitarianism through works of art.

On Jan. 1, 1989, playwright, actor and political activist Safdar Hashmi was performing a street play in Delhi when he was beaten to death by political thugs.

Hashmi’s politically charged theater made him the target of deadly violence, but it also inspired a collective of Delhi-based artists, writers, poets, musicians, actors and activists to join together.

These artists called themselves Sahmat, and for more than 20 years since Hashmi’s murder, Sahmat has functioned to create and present works of art promoting artistic freedom in the spirit of Hashmi’s secular and egalitarian ideals.

Beginning with an opening reception today, the Ackland Art Museum will showcase “The Sahmat Collective: Art and Activism in India Since 1989” in the gallery until Jan. 5.

“The murder of Hashmi was a catalyst for bringing artists together to resist intolerance in a movement of creative expression,” said Emily Bowles, director of communications at the Ackland.

Along with the main exhibit, the museum will present a wide variety of public programs for all ages to support the richness of the art.

“The programs will be colorful, vibrant and alive — just like the show,” Bowles said.

This interdisciplinary Indian art exhibit features more than 60 different artists from the collective and will present a wide range of art, such as active performances, a rickshaw with political messages and other art forms, Bowles said.

Peter Nisbet, the museum’s chief curator, said the art, as well as documentation and photographs showing the group’s inner workings, presents the work of individual artists in a well-formed collective.

“The Ackland has a good and important collection of Asian and Indian art, so we are always looking for pieces that bring this Asian-Indian art to the present,” Nisbet said.

The exhibit came to the Ackland this summer fully curated by the Smart Museum of Art at the University of Chicago.

“The Sahmat Collective” was co-curated there by Jessica Moss, the Smart Museum’s associate curator for contemporary art, and Ram Rahman, a photographer and founding member of the Sahmat.

The exhibit was also on display at the Smart Museum from Feb. 14 to June 9.

“I was struck by the Sahmat and the more I got to know it, the more I was inspired to share it because it was not well-known in a U.S. context,” Moss said.

The Sahmat contextualized a lot of Indian art, which was another important reason Moss began to look into the early stages of curating the exhibit.

She finalized her idea with a trip to India in December 2010 with co-curator Rahman to look at Sahmat artwork.

“One reason that drew me to the Sahmat was the contextualization of the social and political climate,” Moss said. “I hope people will walk away with a better understanding of those issues.”

“The Sahmat Collective” exhibit and programing is running parallel with a similar South Asia-focused exhibit at the Nasher Museum of Art at Duke University, called “Lines of Control.”

“I want people to take advantage of all of the programming at the Ackland and at the Nasher as well,” Nisbet said. “This is an extraordinary moment between both UNC and Duke.”

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