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Exhibit marks 25 years of the Stone Center

Tim Okamura's exhibit, "This Story Has Not Been Told Yet," opens today (Thursday September 12) at the Robert and Sallie Brown Gallery and Museum in the Stone Center for Black Culture and History. Okamura's exhibit will be on display until November 29.
Tim Okamura's exhibit, "This Story Has Not Been Told Yet," opens today (Thursday September 12) at the Robert and Sallie Brown Gallery and Museum in the Stone Center for Black Culture and History. Okamura's exhibit will be on display until November 29.

Every person has a story to tell.

“This Story Has Not Yet Been Told,” an exhibition by Tim Okamura, focuses on exactly that.

Featuring a collection of portraits done by Okamura over the past 10 years, the exhibition is helping the Sonja Haynes Stone Center for Black Culture and History celebrate its 25th anniversary.

“(Okamura) is an artist who has a very, very good approach to looking at youth and youth culture,” said Joseph Jordan, director of the Stone Center. “The centerpiece is called ‘Progressive Youth’ — in a lot of ways the Stone Center owes its existence to the work of progressive youth. It’s appropriate to put the focus back on them and the progressive stances they took over the last 25 years.”

Okamura, whose portraits combine high-energy graphic elements with realism, said this hybrid style comes from combining his love of academic art with his love for graffiti, street art and hip-hop. He said his goal is to become a storyteller through his visual art.

“The subjects of the paintings haven’t been represented very often in portraiture,” he said. “I’m exploring these stories that have not yet been told.”

Though he doesn’t know what his viewers will take away from his work, Okamura said he hopes his paintings are accessible to everyone.

“Accessibility in realism is something that’s always been appealing,” he said. “Kids can feel the emotions, and people with theories in art history can analyze it — it’s very didactic.”

Okamura not only accomplished this goal, said Stone Center program and public communications officer Clarissa Goodlett, but created a very provocative set of paintings.

“The pieces are 8 to 9 feet tall featuring real people who aren’t typically featured in fine art,” she said. “The paintings are realistic and life-sized — it really has a big impact.”

This element of provocative realism, according to Jordan, is partially why the Stone Center chose this exhibition.

“He positioned folks in confident, pensive and assertive stances — what I would normally call the prevailing sensibility of the students on campus,” he said. “We wanted to see how the campus would react to those images.”

Jordan also said he hopes viewers spend time with each painting in order to find their own meaning.

“Almost all the pieces have embedded messages,” he said. “Hopefully people will take the time to decode those messages embedded in the canvas and embedded in the faces of the individuals.”

No matter what messages his viewers see, Okamura said he hopes that his span of work highlights his growth as an artist.

“I want to grow and never feel like I’ve fallen into a formulaic sense of working,” he said. “It’s the artist’s duty to continue on a path of evolution while hopefully including positive messages along the way.”

Throughout his years and evolution as an artist, Okamura continuously highlights a common thread of humanity within the stories of every individual.

“It’s about celebrating the individual and trying to find the intangible thing that is a deeper metaphor for the human experience that we all share.”

arts@dailytarheel.com

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