On N.C. State University’s campus, students can’t walk to class without seeing silhouettes of Chapel Hill shooting victims Barakat, Yusor Abu-Salha and Razan Abu-Salha, painted on the walls of the university’s Free Expression Tunnel.
Painted with a black backdrop and white silhouettes, the image causes onlookers to stop and remember the victim.
Somia Youssef, a junior at N.C. State and the education chairwoman of N.C. State’s Muslim Students’ Association, helped organize the repainting of the Free Expression Tunnel to honor the victims of the shooting.
Youssef said she believes murals are important forms of public art because they captivate the attention of all.
“It’s in your face,” she said. “You can’t not notice it. You may not care about it, but it’s an image, a picture, a painting, so you can’t help but stop and look at it.”
Hillary Rubesin, intermodal expressive arts therapist at the Art Therapy Institute in Carrboro, agreed that visual art, especially if displayed in public, can create a sense of community.
“By publicly expressing our grief, we are able to put our personal pain into the world, gather support from community members going through the same loss, make deeper connections within our communities, start important dialogues ... and incite public action toward social and political change,” Rubesin said.
Like those who painted the tunnel, a local artist is turning to paint to create a mural commemorating Dean Smith, the legendary basketball coach who died Feb. 7 at the age of 83.