As graduation approaches, campus becomes a massive studio, and every photographer knows you will have to move fast and be patient. Avoid capturing other passersby in the background of your photos. Remember angled shots and close-ups can help with that one. Be prepared to get on the ground. But at the Old Well and South Building, your best bet is to grab a 50 mm lens to increase the bokeh or blur the background. Just look for trees, and stick to green backdrops.
Sit. Stand. Shoulders back. Even out your stole. Cross your arms. Look at me. Smile.
This was my third year taking senior portraits, and as I moved about campus, peering through my lens, I couldn’t help but notice that something had changed — broken, actually.
The charm of an old college town was gone. Too much has happened this year for me to see my campus the way I used to.
This year forced me to zoom out and adapt my lens to be more nuanced and perceptive.
Where an old photograph of Franklin Street reveals an anti-war march from the 1960s, I see the overlay of an image of our most recent marchers in solidarity with Baltimore. New people, same purpose.
The University has undergone a reclaiming of sorts. UNC students have yoked symbolism and solidarity in a series of protests across campus.
As I zoomed in on my friends’ faces and let the green backdrop of Polk Place fall away, the steps of Wilson Library beckoned me. I remembered the last day of classes, when students celebrated a year of activism by dancing, performing spoken word poetry and calling for solidarity. As I looked around the Old Well, I recalled the images of my campus that flickered across the screen at the viewing of "The Hunting Ground."
How could my campus be marred by such pain and rage? I suppose it always has been.