String, who has collaborated with the N.C. Museum of Art through UNC for six years, convinced fellow international art experts to come to Raleigh to analyze nine paintings from the Jacobean and Tudor eras at a symposium that took place Monday through Wednesday.
Among the researchers who attended were fashion historians, art historians and conservators.
Before String looked at the collection of portraits in 2010, the paintings had been in storage for 50 years.
“I don’t think that anybody would have been interested in exhibiting them had we not worked so closely with the NCMA to say how interesting, how important, how unusual these portraits are,” String said.
David Steel, curator of European art at the museum, said String brought together some of the most knowledgable people in the world to analyze the paintings.
“Lots of (the portraits) had names attached to them,” Steel said. “Pretty much every single person who we thought was depicted turned out to be wrong.”
String said analyzing the styles and costumes of the portraits helped the researchers date them and conclude the portraits were not of the people identified in the inscriptions.
He also said conservation treatments helped the experts make discoveries invisible to the naked eye.