The art of dance will intersect with neuroscience in a new performance at the Ackland Art Museum. On Feb. 17, choreographer and directer Killian Manning and her performance company No Forwarding Address will host a dance performance, inspired by Santiago Ramón y Cajal’s famous drawings of the human brain, that will be shown three times throughout the day.
“Santiago Ramón y Cajal's drawings of the brain are both aesthetically astonishing and scientifically significant," a press release from the Ackland said. "'The Beautiful Brain' is the first museum exhibition to present these extraordinary works in their historical context.”
The Ackland is displaying 80 of Cajal's 3,000-plus intricate drawings in its new 'The Beautiful Brain' exhibit until April 7.
Killian Manning, a choreographer for the Ballet School of Chapel Hill, has been involved with dance for many years, teaching dance at UNC from 1989-95. She has choreographed numerous dance pieces throughout her career that emphasize creative expression and improvisation.
Manning said she was inspired to arrange a 25-minute dance piece after seeing and researching Cajal’s work in neuroscience. She said she took most of her inspiration from his dream journals when creating the routine.
The performance will feature five dancers and will be performed in the gallery while museum guests tour the exhibit. Manning said No Forwarding Address has been rehearsing since October in hopes that the dance piece will help inform those visiting the gallery to reconfigure the drawings in another visual way.
“I think it’s going to enhance the museum experience,” Manning said. “I’m always a big fan of the arts speaking to each other, having a conversation and letting the audiences in on that.”
The routine will have different sections that represent different aspects of neuroscience, from pathology to cell structure. Manning said the movements of the dancers will express the operation of the brain.
Lindsey Hale, the public programs coordinator at the Ackland, said the performance began as a collaboration with Manning as a way to incorporate different types of art into the museum’s program schedule.