On March 3, filmmakers of color spoke out during the Q&A session after the screening of a documentary called "The Commons" at the True/False Film Fest in Columbia, MO.
"The Commons" was directed by two white film makers, Michael Galinsky and Suki Hawley, and shows protests on campus surrounding the removal of Silent Sam.
Courtney Symone Staton, a lead producer and impact producer for the film Silence Sam, was at the forefront of the Q&A and spoke about how the directors of "The Commons" featured student activists without their knowledge. Staton said activists were unaware they were in the film until Staton texted them after she saw the screening.
“By filming us without our consent you contribute to the violent history of state surveillance and to the continued marginalization of Black people by the documentary field and people of color,” a statement from Staton said. “You contribute to the traumatic legacy of white people ‘studying’ us for science and their own gains. Your art, like the University of North Carolina, was built on our backs. And to this we say: Nothing about us, without us, is for us.”
In the Q&A session, Staton also discussed race, representation and ethics in documentary films.
“But the idea of particularly white filmmakers going to a community, extracting a story and then profiting off of it even if they're not profiting by money they're profiting by their reputation by whatever,” Staton said.
Staton believes the filmmakers of "The Commons" have a blindspot due to their "privileged identity" because the film portrayed students in an unorganized manner, but did not include how students are having conversations with administration and faculty leaders about the Confederate statue.
Staton said "The Commons" claims students are unable to have civil discourse and effectively organize and the film did not give enough context of what fully happened on campus.
Suki Hawley and Michael Galinsky quickly released a statement apologizing for any anguish caused to people included in their film. They also apologized for calling "Silence Sam," the documentary Staton and other students worked on, a student film instead of a film.