Spring Dance Romance, a dancing event focused on contra dancing, hopes to bring the community together with their social dancing event that runs April 26 through 28 at Northside Elementary School.
Contra dancing is a style of community folk dance originating in North America that was seen as a way to create an environment for those in the community to meet and talk to each other. It's a partner-style dance much like square dancing, but is freer because of the way people are able to express themselves and the dancers' are able to dance with any partner on the floor.
Spring Dance Romance is an event that keeps the contra dance tradition alive with the help of workshops and a fun and safe space. The event is run by the Triangle Country Dancers, who started the weekend event back in 1988.
“People who share that love and joy of dancing come together and dance together as a community,” Linda Cooper, who is part of the booking committee at Triangle Country Dancers, said. “And the energy level and the excitement is just an order of magnitude or more higher than it is at just a regular local weekly dance.”
As well as contra dancing, Spring Dance Romance features many different workshops on other forms of dances that add to the contra dance form along with specific lessons to improve contra dancing. The workshops include gender free dancing, blues dancing, and Irish set dancing.
The Irish set dancing workshop is run by Tyler Johnson and the band Rip the Calico. Johnson has participated in Spring Dance Romance numerous times and loves how the event brings people together.
“When everybody is moving in sync to the music, it’s like you’re no longer an individual but several hundred people all moving as one organic sea," Johnson said. "That’s an incredible experience to be a part of.”
Irish set dancing is also a partner style dancing and does require a few techniques that need to be learned, but Alison Arnold, a member of Rip the Calico, encourages newcomers to try this form of dance.
“There’s a huge amount of enthusiasm, but not much experience,” Alison Arnold said. “So if you can mix some older people and some younger people, the more experienced ones can really shepherd the younger ones in the dance, but everyone gets enlivened by the enthusiasm of the younger dancers.”