Carolina Performing Arts will be hosting Wendy Whelan, former principal dancer and current associate artistic director of New York City Ballet, at Memorial Hall on Oct. 15 to perform “The Day,” a new work by Whelan, Maya Beiser, David Lang and Lucinda Childs.
On Oct. 14, UNC professor and author Stephanie Elizondo Griest will engage Whelan in a conversation about her artistic devotion at the Current ArtSpace + Studio on Franklin Street in the “Art Above Everything” event.
Arts & Culture staff writer Alicia Robbins spoke with Amanda Graham, Carolina Performing Arts associate director of engagement, about Whelan and Griest’s upcoming discussion and how it will give attendees a new perspective on Whelan and the ballet world.
The Daily Tar Heel: Why did Carolina Performing Arts decide to connect Stephanie Griest and Wendy Whelan in the Art Above Everything event?
Amanda Graham: We decided to connect them because they were already connected. They knew one another well because Stephanie is currently writing a book titled "Art Above Everything," which is about women in the arts, and Wendy is one of those women.
So, Stephanie has spent time with Wendy in her studio and has watched her dance, has interviewed her and many of her colleagues and family members. Stephanie actually just finished a chapter on Wendy Whelan and her life and her work, and so we thought that this would be a wonderful opportunity to bring them together to both celebrate Wendy being at CPA to perform in “The Day," but then also to acknowledge Stephanie's forthcoming book, and in particular, this chapter.
DTH: How will the discussion relate to the topics in the book?
AG: From what I understand, having seen a draft of Stephanie's chapter, Stephanie is interested in learning about how Wendy persevered through a lot of challenging situations, including injury and eating disorders. Also, they spoke at length about the #MeToo movement, in particular as it relates to the ballet world, and Wendy's changing roles going from a dancer to becoming an administrator in the arts at the NYC ballet.
DTH: How does Whelan's experience relate to Greist's discussion of an artist's sacrifice for her craft?