Student playwrights have often struggled to have their work seen on college campuses, but LAB! Theatre Company is working to change that. LAB! is putting on New Works November, a series of shows composed of script readings written by student playwrights every Friday throughout November.
LAB!, UNC’s oldest student-run theater company, is dedicated to empowering student playwrights and providing an admission-free theater experience, said UNC senior Samantha Yancey, LAB! executive director.
“We've produced a lot of student-written work," Yancey said, "and we found that a lot of what students are looking for is help in the development process of writing, versus just producing the finished product.”
New Works November is an opportunity for student playwrights to debut their plays while they’re still in the development phase. It is a low-key staged reading with only a couple of rehearsals.
Yancey said that the impetus behind the New Works November series was the desire to provide as many opportunities as possible for student playwrights at UNC to not only have their work viewed by an audience, but to provide valuable feedback on that work.
“The most difficult thing for a student playwright is that theater is a medium that is meant to be read aloud, and so playwrights can write and read it in their heads, but until they hear it out loud they're never hearing their play as it's intended to be,” Yancey said. “I think providing opportunities to hear their work and see other people read their work is a really valuable tool in development, and something that's not always accessible.”
This Friday’s show will feature two scripts, each with very different content.
UNC junior Matthew Keith said he got the idea for his script while listening to music from the '70s and '80s and was intrigued by the inexplicable amount of saxophone solos featured in many of the songs. His script, entitled “Studio Session,” focuses around the ghost of a long-forgotten saxophone player that haunts a modern-day recording studio.
“When I was thinking of ideas of short things I could write that I thought were kind of funny, I was like, 'Wouldn't it be weird if there was one singular person responsible for all of those saxophone solos and then when he died that's the reason they all disappeared?’” Keith said.