Professional screenwriter and UNC professor Michael Acosta said that a good movie isn’t just filmed. First, it’s written.
"Blackest Darkness," Acosta's latest film that he wrote and produced, is a slow-burn horror following a man’s struggle to return to his wife, encountering strange characters along the way.
Acosta's film investigates the male protagonist's wrongdoings, he said. The theme of accountability over one's actions threads through the film, forcing readers to question: what does it mean for someone to be repeatedly punished, forever?
“If the things that we want are bad, we have to make the human choice not to do them, but our character doesn't make that choice in life and he has to pay for it,” Acosta said. “And that's what we're watching — we're watching him pay for it, we're watching him slowly realize that he's paying for it, and it's horrifying.”
The film premiered as an eight-minute short last year, but was made into a full-length film in the fall, shot in Sanford and Hillsborough, N.C.
A professor in UNC’s Writing for the Screen and Stage program, Acosta invited about 30 UNC students to be interns who learned more about the filmmaking process and assisted the crew, he said.
The story’s events take place entirely at night, and Jessica Blaustein, the film’s lead actress, said some days lasted until 4 a.m.
“I actually kind of really enjoyed that,” she said. “There was something that just added to the otherworldly feeling of the whole production.”
Adam Hulin, the director of "Blackest Darkness," said he thought of subtle ways to invoke feelings of oddity on screen. For example, the film's strict adherence to a warm color palette with low-lit, red lighting, is intended to conjure feelings of discomfort in audience members.