On Friday evening, friends and family sat on various blankets and chairs — with picnics in tow — at the Southern Village Green, the excited chatter of over 2,000 people crescendoing in anticipation of the North Carolina Symphony’s performance: a free, annual event to kick off the summer.
A cacophony of sound erupted from the platform, instruments humming and tuning over one another, and the crowd’s thrum decrescendoed into silence. Soon, “Overture to ‘The Magic Flute’” by Mozart began, the loud crash of the horns capturing any distracted listeners, the soft harmonies of the strings grasping their attention.
Michelle Di Russo is the associate conductor of the Symphony, and she picked the evening’s selection. She said she thought about what she might like to listen to while enjoying a picnic. The event featured nine pieces in a diverse program that Di Russo described as having a little bit of everything.
“I tried to bring a lot of different ideas and composers from different backgrounds because I wanted everyone to expand their ears too and not listen to all the same pieces we usually perform when we’re outside,” she said.
In addition to familiar names like Mozart and Gershwin, she introduced the Chapel Hill audience to composers she said they might not know about. For example, the second piece of the night was by Joseph Bologne, who she said was a contemporary of Mozart and the first Black composer to be successful at the time.
Before conducting each piece, Di Russo told stories behind the composers and their songs, while also preluding to what the audience might hear in the number.
Before the Symphony played the Bologne piece, “Symphony No. 1 in G Major, Op. 11,” Di Russo told the audience a little about Bologne’s background. She said that while Mozart was traveling in Paris, he attended one of Bologne’s concerts, and was inspired by his composition of the string instruments’ lines.
“One other detail, we don’t know if this is true, but apparently Mozart was really jealous of Bologne because he was a bit older and was having a lot of success and was one of Marie Antoinnette’s confidantes and friends,” she said to the crowd. “That is one of the gossips I can tell you. It’s unconfirmed, but I think it’s funny.”
Before the fifth performance, Johann Strauss II's “Tritsch-Tratsch-Polka,” Di Russo said that the piece is a lot of fun, asking the audience if anyone else loved the piece before saying she might be the only one that does.