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Carrboro musician releases new dance-pop single “Good Scare”

Rachel Kiel promo photo.jpg
Photo by Alex Bingham, courtesy of Rachel Kiel.

Carrboro dance-pop musician Rachel Kiel released her new single, “Good Scare,” on Friday, almost a decade after it was written

Kiel has been on a musical journey for most of her life. She began playing the flute at age five and has explored other musical endeavors over the years, including chorus, a capella, piano, guitar, banjo and tap dancing. Now, she writes songs on a variety of instruments. 

Kiel has released four albums, her most recent being "Dream Logic" (2020). From nightmares to fantasies, Kiel conceived much of this dream-pop album inspired by her dreams. Kiel drew from the disorientation and creative energy produced by her various dreams to create a diverse set of songs. 

Specifically, Kiel creates songs inspired by dreams she’s had about people who are no longer in her life — whether that person is an old friend, an ex or a deceased family member. In this manner, “Good Scare,” builds on themes that Dream Logic explored since it is a song about the complicated mix of emotions a person can experience when remembering someone who used to be in their life. 

“Is it a dream or a nightmare?” she sings in the new single. “When I sleep we’re together again.”  

Kiel also draws inspiration from songs that have deeply resonated with her, seeking to evoke similar feelings in others. Kiel’s music is primarily inspired by underground pop, rock and country.

“It's felt like a vocation and a calling for me to create songs, because songs have moved me so much,” Kiel said. "And I make things that I think move me, but it's really cool to see when they move other people too.”

The production of “Good Scare” started in 2015. It began with a demo featuring the lyrical structure and general melody, which eventually developed into a complete single. Producer and musician, Alex Bingham, known as “Magic Al,” collaborated with Kiel to refine and transform the demo. 

Bingham said that he sees his role as a producer as seeing a creative project through from beginning to end, being guided by and honoring the artist’s creative vision. 

“We did a lot of listening to stuff from that era [dance pop], and just kind of tried to dial in the initial vibe of tones and sounds of things that we would like,” Bingham said.

Kiel and Bingham worked piece by piece on the song, layering different elements and new ideas as they emerged. The pair also studied their own responses to the music by dancing. It took multiple days to finish each part since they would leave and come back the next day with fresh ideas. Once they finished, the song was ready for mixing and final production.

Chessa Rich, the backup vocalist for “Good Scare,” said Kiel gave her creative freedom during the recording process. She enjoyed this aspect of the experience and is excited for the release of the single after so many years. 

“I’m really excited for people to hear Rachel,” Rich said. “She has some songs on her last record that are definitely like upbeat and danceable, but I'm really psyched for people to hear this. This is what she can do. Rachel can do so much.”

Due to challenges posed by the pandemic and her pregnancy, Kiel had to delay the release of "Good Scare." Regardless, she said that she feels like she is picking up where she left off, eager to show a new side of herself to the world. 

“I'm excited to release a single, because singles are fun, but albums are my true love,” Kiel said. “I'm definitely going to keep making records, hopefully until I'm 95, 110 — that's the goal.”

Kiel will open for the dBs, a band that has significantly influenced her own music, on Dec. 6 at the North Carolina Museum of Art in Winston-Salem. “Good Scare” is available to listen on Spotify, Apple Music, Bandcamp and YouTube.

@dthlifestyle | lifestyle@dailytarheel.com

CORRECTION: A previous version of this article implied that "Good Scare" had been constantly in production for ten years. The song was written ten years ago, produced, last year and released this year. The Daily Tar Heel apologizes for this error.

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