This past weekend in Swain Hall, the rock banjo opera “Sunnyland” performed on a stage for the first time. Stephan John Meyers, or Breadfoot, is the mastermind behind the piece.
“Sunnyland is the story of misunderstood youth,” Meyers said. “The story of Gibson, a misunderstood youth, who leaves the small town where he’s been bullied since before he could see the top of the fridge, to go to the big city to find acceptance and maybe a taste of the big time.”
Two years ago, Meyers received an invitation from Joseph Megel to join the Process Series, whose mission is to feature developing works of performing art and highlight the creative process. Megel said that Meyers’ music comes straight from his head into the story he wants to tell from the inside out.
A major part of the Process Series is after the performance, when Megel opens the floor for questions and comments from the audience to see what they took away from it.
“The important thing about those discussions, we don’t want the audience rewriting another artist's work,” he said. “But, I think by sharing what they received, it can be very helpful to an artist to know what’s being engaged with and what’s not.”
An audience member, Sadie Maddock, said her favorite part about the performance was the music as a whole. She said it added a unique flair that went along well with the storyline.
“It was hard to not sit in the audience and bop along with it,” she said.
Jade Fielding said their favorite part was the character Rory and her vibe, and also how she narrated the story. They said they enjoyed seeing the audience answer the questions in real time right after the performance.
The cast only rehearsed together a few times before the performances this weekend, which Maddock said she was really impressed by because it was very cohesive.